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COLOR GUIDELINES

Questions? Please contact Karen Leibowitz, Art Director, Marketing and Communications: Karen.Leibowitz@stonybrook.edu


These guidelines outline the information you’ll need to properly express the University brand colors. We have provided a series of color formulas to ensure that each brand color is rendered appropriately and consistently across digital and printed media.

When creating and viewing files on your computer, set your application and screen to the sRGB color space.

When matching official brand colors, start by reviewing the Pantone Matching System (PMS) chip from a current Pantone color book. This is the only reliable guide for how the official color should appear.

When printing a brand color, be sure to compare a test print to the approved PMS chip as different printers will render color differently. Adjustments to your design’s CMYK values may be needed to calibrate your printed output in order to achieve the intended result of matching the Pantone chip. When rendering a brand color digitally, use the HEX value as your primary formula. We’ve provided a RGB value for instances where that is not an option.

Remember: the PMS chip from a current Pantone color book is the only official version of each color. The following guidelines intend to provide the tools to best simulate that color in a variety of media, but your final work should always be adjusted to match the official PMS chip.


PRIMARY COLORS

Stony Brook Red and Stony Brook Black are the primary brand colors and should be clearly featured when color is used. These are also the colors used in the primary University logo.

 

Stony Brook Black
HEX #000000
PMS BLACK
RGB 0/0/0
CMYK 0/0/0/100
Rich Black
CMYK 60/40/40/100

 

Stony Brook Red
HEX #990000
PMS 187
RGB 153/0/0
CMYK 5/100/71/22


SECONDARY COLORS

These colors play a supporting role in the brand hierarchy. They are only to be used in support of the primary colors, and may be paired with each other to achieve a more dynamic design. Proportion of reds to non-red secondary colors should be 80:20. This can be achieved through the Prisms in addition to other elements in the design.

 

Stony Brook Dark Red
HEX #6B000D
PMS 188
RGB 107/0/13
CMYK 7/100/65/55

 

Stony Brook Navy Blue
HEX #002244
PMS 289C
RGB 0/34/68
CMYK 100/86/43/48

 

Stony Brook Bright Red
HEX #D52027
PMS 185
RGB 213/32/39
CMYK 0/95/80/5

 

Stony Brook Royal Blue
HEX #00549A
PMS 7686C
RGB 0/84/154
CMYK 100/73/0/10

 

Stony Brook Dark Gray
HEX #4B4B4B
PMS 425
RGB 75/75/75
CMYK 38/28/21/63

 

Stony Brook Turquoise
HEX #1791AD
PMS 7459C
RGB 23/145/173
CMYK 72/9/9/13

 

Stony Brook Medium Gray
HEX #828282
PMS 423
RGB 130/130/130
CMYK 18/14/14/38

 

Stony Brook Pear
HEX #F1EA86
PMS 586C
RGB 241/234/134
CMYK 10/0/59/0

 

Stony Brook Light Gray
HEX #BEBEBE
PMS 420
RGB 190/190/190
CMYK 6/5/7/15

 

Stony Brook Celery
HEX #BCCF9D
PMS 579C
RGB 188/207/157
CMYK 24/0/43/0

 

Stony Brook Forest Green
HEX #104247
PMS 7476C
RGB 16/66/71
CMYK 89/22/34/65

 

Stony Brook Cream
HEX #F8F2C5
PMS 7499C
RGB 248/242/197
CMYK 1/2/24/0

 

PRIMARY GRADIENTS

Gradients are used to elevate a design by providing depth and space to a composition.

For Dare To Be, primary gradients may be made by combining two HEX, CMYK gradients or RGB Stony Brook Red values (see secondary colors). A gradient tool is available in most design programs and platforms.

Stony Brook gradients are always linear; never radial. The angle of the linear gradient should be between 70° and 20° to ensure the gradient always appears to move up and to the right.

primary gradients

 

SECONDARY GRADIENTS

Secondary Stony Brook colors of the same family may be paired to create a secondary gradient (grays with grays, blues with blues, greens with greens, etc.)

Like secondary colors, secondary gradients should always be used in support of the primary Stony Brook colors and gradient. 

Secondary gradients follow the same rules as the primary gradients; linear and always up and to the right, between 70° and 20°

secondary gradients

 


COLOR ACCESSIBILITY

Contrast between content color and background color is crucial for legibility, especially for individuals with visual impairment. 

The WCAG (Web Content Accessibility Guidelines) ensures that content is accessible to everyone, regardless of disability or user device. To meet these standards, visual elements should have a color contrast ratio of 4.5:1 or greater. Shown below are some examples of acceptable contrast.

Check contrast at: webaim.org/resources/contrastchecker

WHITE TEXT ON STONY BROOK BLACK

WHITE TEXT ON STONY BROOK RED

WHITE TEXT ON STONY BROOK DARK RED

WHITE TEXT ON STONY BROOK BRIGHT RED

WHITE TEXT ON STONY BROOK NAVY BLUE

WHITE TEXT ON STONY BROOK DARK GRAY

WHITE TEXT ON STONY BROOK MEDIUM GRAY

BLACK TEXT ON STONY BROOK LIGHT GRAY

WHITE TEXT ON STONY BROOK ROYAL BLUE

WHITE TEXT ON STONY BROOK TURQUOISE

BLACK TEXT ON STONY BROOK PEAR

WHITE TEXT ON STONY BROOK FOREST GREEN

BLACK TEXT ON STONY BROOK CELERY

BLACK TEXT ON STONY BROOK CREAM

 


COLOR DON'TS

These are color applications that DO NOT align with the SBU Brand Guidelines:

  • DON'T use gradients that combine different color families
  • DON'T use gradients that are no angled up and to the right
  • DON'T use radial gradients
  • DON'T have secondary colors overpower primary colors
  • DON'T use color combnations that fail WCAG Accessibility Guidelines
  • DON'T use colors that are not part of the SBU Brand Guidelines

colors not to use

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